>Mercado Europeu de Animação, por Fluxo de Receitas ( OTT , Publicidade, Venda de Bilhetes, Outros) – Tendências do Setor e Previsão para 2029
Análise e dimensão do mercado europeu de animação
A Data Bridge Market Research analisa que o mercado da animação deverá atingir o valor de 99.652,38 milhões de dólares até 2029, com um CAGR de 4,8% no período de previsão. A “OTT" é responsável pelo maior segmento de oferta no mercado da animação. O fluxo de receitas OTT na Europa está a aumentar ao longo dos anos devido ao aumento da penetração da Internet em todo o mundo e ao avanço da tecnologia que é utilizada para desenvolver redes IoT de alta precisão .
Este relatório de mercado de animação fornece detalhes de quota de mercado, novos desenvolvimentos e análise de pipeline de produtos, impacto dos participantes do mercado doméstico e localizado, analisa oportunidades em termos de bolsas de receitas emergentes, mudanças nas regulamentações de mercado, aprovações de produtos , decisões estratégicas, lançamentos de produtos, geográficas expansões e inovações tecnológicas no mercado. Para compreender a análise e o cenário do mercado contacte-nos para um Analyst Brief, a nossa equipa irá ajudá-lo a criar uma solução de impacto na receita para atingir o objetivo desejado.
Métrica de relatório |
Detalhes |
Período de previsão |
2022 a 2029 |
Ano base |
2021 |
Anos históricos |
2020 (personalizável para 2019 - 2015) |
Unidades Quantitativas |
Receita em milhões de dólares, volumes em unidades, preços em dólares |
Segmentos cobertos |
Por fluxo de receitas (OTT, publicidade, venda de bilhetes, outros) |
Países abrangidos |
Alemanha, França, Reino Unido, Holanda, Suíça, Bélgica, Rússia, Itália, Espanha, Suécia, Polónia, Turquia, Resto da Europa na Europa |
Participantes do mercado abrangidos |
Discovery, Inc, Sony Pictures Digital Productions Inc., DREAMWORKS ANIMATION, TOEI ANIMATION CO., LTD., Disney, Paramount, NETFLIX, AARDMAN ANIMATIONS LTD, OLM, Inc., Madman Entertainment Pty., Ltd., Pierrot Co., Ltd., BluBlu Studios, NIPPON ANIMATION CO., LTD., SUNRISE, Pixeldust Framestore, Illumination Mac Guff, LAIKA, LLC e MPC Film entre outros. |
Definição de mercado
A animação é um método de fotografar desenhos, modelos ou mesmo fantoches sucessivos, para criar uma ilusão de movimento numa sequência. A animação cria uma simulação de movimento criada por uma série de imagens. A animação envolve a exploração e gestão de imagens estáticas para gerar a ilusão de movimento. A animação permite contadores de histórias de formas únicas. A animação é importante porque nos permite contar histórias e comunicar emoções e ideias de uma forma única e fácil de perceber tanto para crianças pequenas como para adultos. A animação ajuda a ligar pessoas em todo o mundo de uma forma que, por vezes, a escrita e os filmes de ação ao vivo não conseguem. Os filmes de animação atraem uma vasta gama de públicos. Existem diferentes tipos de animação, tais como:
- Animação Tradicional
- Animação 2D (baseada em vetores)
- Animação 3D
- Motion Graphics
- Stop Motion
Animation Market Dynamics
Drivers
- Rise in trend of animated films and daily soaps
The animated content is growing at a healthy rate across the globe because of which the broadcasters are increasing the interest towards the launching of animated shows and the daily soaps for the children is gaining a huge demand which has resulted in increasing the launch of new daily soaps. Thus, the rising trend of animated films and daily soaps, acts as a major driver for the growth of the Europe animation market.
- Rapid growth of the animation industry
The pandemic has helped the people to explore new avenues of entertainment because of which OTT platforms has emerged as a trending entertainment platform. The rise of OTT has positively influenced the animation industry with a growth in viewership especially for children’s content. Nowadays, OTT is playing a major role in the entertainment industry and has helped to advance VFX and animation technologies. Thus, the worldwide animation industry is growing day by day which promotes the growth of the Europe animation market and acts as a driver for the growth of the market.
- Rise in trend of 3D animation
The popularity of computers has increased, the 3D animation market has started evolving and gained an important role in the entertainment sector as it enables to tell stories and express emotions and ideas more clearly with correct descriptions. Moreover, most of the companies use 3D animations to present their ideas and product models. The commercial usage of 3D animation has several benefits of improving the sharing ability, credibility, and provides better engagement system and many others.
Increased usage of smartphones and internet penetration
The huge number of smartphone users worldwide that impacts the adoption of animated content through smartphones which drives the market growth. China, India, and U.S. are the countries which are noted with the increased number of smartphone users. Thus, the increasing adoption of animated content through smartphone devices and internet services across the globe due to the current pandemic situation acts as a driving factor for the growth of the market.
Restraint/Challenge
- Lack of the government support
Insufficient government support affects the growth of animation worldwide. Animation across countries lacks funding from the government which impacts the production of a high percentage of animated films due to lack of initial high investment. Tax benefits and treaties are also not provided by the government.
- Lack of skilled professionals
Rapid technological advancements and innovations in the media and entertainment industry are making it difficult for workers, employees, and staff to match their skill set with the needs of the growing and technologically updated businesses. This creates a skill gap between the staff and employers. There is a shortage of skilled employees with relevant qualifications as technology upgrades day by day.
Recent Development
- In January 2020, AARDMAN ANIMATIONS LTD along with Greenpeace launched a powerful new animated film to highlight the plight of the world’s oceans. This newly launched animated film highlights the Europe ocean crisis. This has helped the company to generate more revenue and enhance its offerings to grow in the market
Animation Market Scope
The animation market is segmented on the basis of revenue stream. The growth amongst these segments will help you analyse meagre growth segments in the industries and provide the users with a valuable market overview and market insights to help them make strategic decisions for identifying core market applications.
Revenue Stream
- OTT
- Advertising
- Sale of Tickets
- Others
On the basis of revenue stream, the animation market is segmented into OTT, advertising, sale of tickets and others.
Animation Market Regional Analysis/Insights
The animation market is analysed and market size insights and trends are provided by country, revenue stream industry as referenced above.
The countries covered in the animation market report are Germany, France, U.K., Netherlands, Switzerland, Belgium, Russia, Italy, Spain, Sweden, Poland, Turkey, and Rest of Europe in Europe
France dominates the Europe region due to rise in the digitalization in business process and need for virtual visualization through 2D and 3D animation.
The country section of the report also provides individual market impacting factors and changes in market regulation that impact the current and future trends of the market. Data points like down-stream and upstream value chain analysis, technical trends and porter's five forces analysis, case studies are some of the pointers used to forecast the market scenario for individual countries. Also, the presence and availability of Europe brands and their challenges faced due to large or scarce competition from local and domestic brands, impact of domestic tariffs and trade routes are considered while providing forecast analysis of the country data.
Competitive Landscape and Animation Market Share Analysis
The animation market competitive landscape provides details by competitor. Details included are company overview, company financials, revenue generated, market potential, investment in research and development, new market initiatives, Europe presence, production sites and facilities, production capacities, company strengths and weaknesses, product launch, product width and breadth, application dominance. The above data points provided are only related to the companies' focus related to animation market.
Alguns dos principais players que operam no mercado da animação são a Warner Bros. Discovery, Inc, Sony Pictures Digital Productions Inc., DREAMWORKS ANIMATION, TOEI ANIMATION CO., LTD., Disney, Paramount, NETFLIX, AARDMAN ANIMATIONS LTD, OLM, Inc. Ltd., Kyoto Animation Co., Ltd., Pierrot Co., Ltd., BluBlu Studios, NIPPON ANIMATION CO., LTD., SUNRISE, Pixeldust Framestore, Illumination Mac Guff, LAIKA, LLC e MPC Film entre outros.
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Índice
1 INTRODUCTION
1.1 OBJECTIVES OF THE STUDY
1.2 MARKET DEFINITION
1.3 OVERVIEW OF EUROPE ANIMATION MARKET
1.4 CURRENCY AND PRICING
1.5 LIMITATIONS
1.6 MARKETS COVERED
2 MARKET SEGMENTATION
2.1 MARKETS COVERED
2.2 GEOGRAPHICAL SCOPE
2.3 YEARS CONSIDERED FOR THE STUDY
2.4 DBMR TRIPOD DATA VALIDATION MODEL
2.5 PRIMARY INTERVIEWS WITH KEY OPINION LEADERS
2.6 DBMR MARKET POSITION GRID
2.7 VENDOR SHARE ANALYSIS
2.8 MULTIVARIATE MODELING
2.9 REVENUE STREAM TIMELINE CURVE
2.1 SECONDARY SOURCES
2.11 ASSUMPTIONS
3 EXECUTIVE SUMMARY
4 PREMIUM INSIGHTS
4.1 INNOVATIVE TRENDS IN ANIMATION TECHNOLOGY
4.1.1 WHITEBOARD ANIMATION
4.1.2 ANIMATED WEB SERIES
4.1.3 REAL-TIME RENDERING
4.1.4 MOTION GRAPHICS
4.1.5 ISOMETRIC ANIMATION
4.1.6 LIQUID MOTION
4.1.7 VIRTUAL REALITY (VR) /AUGMENTED REALITY (AR)
4.1.8 GRADIENTS
4.2 PRICING ANALYSIS
4.3 VALUE CHAIN ANALYSIS
5 MARKET OVERVIEW
5.1 DRIVERS
5.1.1 RISE IN TREND OF ANIMATED FILMS AND DAILY SOAPS
5.1.2 RAPID GROWTH OF THE ANIMATION INDUSTRY
5.1.3 SHIFTED FOCUS OF BUSINESSES FROM CONVENTIONAL MODES OF ADVERTISING TO DIGITAL ADVERTISING
5.1.4 RISE IN TREND OF 3D ANIMATION
5.1.5 INCREASED USAGE OF SMARTPHONES AND INTERNET PENETRATION
5.2 RESTRAINTS
5.2.1 LACK OF THE GOVERNMENT SUPPORT
5.2.2 RISE IN CONCERNS RELATED TO PIRACY OF CONTENT
5.3 OPPORTUNITIES
5.3.1 THE EMERGENCE OF TECHNOLOGIES SUCH AS VIRTUAL REALITY, AUGMENTED REALITY, AND ARTIFICIAL INTELLIGENCE
5.3.2 INCREASED PREFERENCE TO CREATE HIGH-DEFINITION (HD) CONTENT
5.3.3 RAPID GROWTH AND EXPANSION OF THE MEDIA AND ENTERTAINMENT INDUSTRY
5.3.4 INCREASE IN GROWTH IN INVESTMENTS AND EXPANSIONS MADE BY STAKEHOLDERS
5.4 CHALLENGE
5.4.1 LACK OF SKILLED PROFESSIONALS
6 EUROPE ANIMATION MARKET, BY REVENUE STREAM
6.1 OVERVIEW
6.2 OTT
6.3 SALE OF TICKETS
6.4 ADVERTISING
6.5 OTHERS
7 EUROPE ANIMATION MARKET, BY REGION
7.1 EUROPE
7.1.1 FRANCE
7.1.2 U.K.
7.1.3 GERMANY
7.1.4 SPAIN
7.1.5 ITALY
7.1.6 RUSSIA
7.1.7 TURKEY
7.1.8 POLAND
7.1.9 NETHERLANDS
7.1.10 BELGIUM
7.1.11 SWEDEN
7.1.12 SWITZERLAND
7.1.13 REST OF EUROPE
8 EUROPE ANIMATION MARKET, COMPANY LANDSCAPE
8.1 COMPANY SHARE ANALYSIS: EUROPE
9 SWOT ANALYSIS
10 COMPANY PROFILE
10.1 DISNEY
10.1.1 COMPANY SNAPSHOT
10.1.2 REVENUE ANALYSIS
10.1.3 COMPANY SHARE ANALYSIS
10.1.4 SERVICE PORTFOLIO
10.1.5 RECENT DEVELOPMENTS
10.2 PARAMOUNT
10.2.1 COMPANY SNAPSHOT
10.2.2 REVENUE ANALYSIS
10.2.3 COMPANY SHARE ANALYSIS
10.2.4 SERVICE PORTFOLIO
10.2.5 RECENT DEVELOPMENTS
10.3 NETFLIX
10.3.1 COMPANY SNAPSHOT
10.3.2 REVENUE ANALYSIS
10.3.3 COMPANY SHARE ANALYSIS
10.3.4 SERVICE PORTFOLIO
10.3.5 RECENT DEVELOPMENT
10.4 WARNER MEDIA, LLC
10.4.1 COMPANY SNAPSHOT
10.4.2 REVENUE ANALYSIS
10.4.3 COMPANY SHARE ANALYSIS
10.4.4 SERVICE PORTFOLIO
10.4.5 RECENT DEVELOPMENTS
10.5 SONY PICTURES DIGITAL PRODUCTIONS INC.
10.5.1 COMPANY SNAPSHOT
10.5.2 COMPANY SHARE ANALYSIS
10.5.3 SERVICE PORTFOLIO
10.5.4 RECENT DEVELOPMENT
10.6 AARDMAN ANIMATIONS LTD
10.6.1 COMPANY SNAPSHOT
10.6.2 PRODUCT PORTFOLIO
10.6.3 RECENT DEVELOPMENT
10.7 BLUBLU STUDIOS
10.7.1 COMPANY SNAPSHOT
10.7.2 SERVICE PORTFOLIO
10.7.3 RECENT DEVELOPMENTS
10.8 DREAMWORKS ANIMATION
10.8.1 COMPANY SNAPSHOT
10.8.2 SERVICE PORTFOLIO
10.8.3 RECENT DEVELOPMENTS
10.9 FRAMESTORE
10.9.1 COMPANY SNAPSHOT
10.9.2 SERVICE PORTFOLIO
10.9.3 RECENT DEVELOPMENTS
10.1 ILLUMINATION MAC GUFF.
10.10.1 COMPANY SNAPSHOT
10.10.2 SERVICE PORTFOLIO
10.10.3 RECENT DEVELOPMENT
10.11 KYOTO ANIMATION
10.11.1 COMPANY SNAPSHOT
10.11.2 PRODUCT PORTFOLIO
10.11.3 RECENT DEVELOPMENT
10.12 LAIKA, LLC
10.12.1 COMPANY SNAPSHOT
10.12.2 PRODUCT PORTFOLIO
10.12.3 RECENT DEVELOPMENTS
10.13 MADMAN ENTERTAINMENT PTY. LTD.
10.13.1 COMPANY SNAPSHOT
10.13.2 PRODUCT PORTFOLIO
10.13.3 RECENT DEVELOPMENT
10.14 MPC FILM
10.14.1 COMPANY SNAPSHOT
10.14.2 PRODUCT PORTFOLIO
10.14.3 RECENT DEVELOPMENT
10.15 NIPPON ANIMATION CO. LTD.
10.15.1 COMPANY SNAPSHOT
10.15.2 PRODUCT PORTFOLIO
10.15.3 RECENT DEVELOPMENT
10.16 OLM, INC.
10.16.1 COMPANY SNAPSHOT
10.16.2 PRODUCT PORTFOLIO
10.16.3 RECENT DEVELOPMENT
10.17 PIERROT CO., LTD.
10.17.1 COMPANY SNAPSHOT
10.17.2 PRODUCT PORTFOLIO
10.17.3 RECENT DEVELOPMENTS
10.18 PIXELDUST
10.18.1 COMPANY SNAPSHOT
10.18.2 SERVICE PORTFOLIO
10.18.3 RECENT DEVELOPMENT
10.19 SUNRISE
10.19.1 COMPANY SNAPSHOT
10.19.2 PRODUCT PORTFOLIO
10.19.3 RECENT DEVELOPMENT
10.2 TOEI ANIMATION CO., LTD
10.20.1 COMPANY SNAPSHOT
10.20.2 REVENUE ANALYSIS
10.20.3 PRODUCT PORTFOLIO
10.20.4 RECENT DEVELOPMENT
11 QUESTIONNAIRE
12 RELATED REPORTS
Lista de Tabela
TABLE 1 EUROPE ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
TABLE 2 EUROPE OTT IN ANIMATION MARKET, BY REGION, 2020-2029 (USD MILLION)
TABLE 3 EUROPE SALE OF TICKETS IN ANIMATION MARKET, BY REGION, 2020-2029 (USD MILLION)
TABLE 4 EUROPE ADVERTISING IN ANIMATION MARKET, BY REGION, 2020-2029 (USD MILLION)
TABLE 5 EUROPE OTHERS IN ANIMATION MARKET, BY REGION, 2020-2029 (USD MILLION)
TABLE 6 EUROPE ANIMATION MARKET, BY COUNTRY, 2020-2029 (USD MILLION)
TABLE 7 EUROPE ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
TABLE 8 FRANCE ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
TABLE 9 U.K. ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
TABLE 10 GERMANY ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
TABLE 11 SPAIN ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
TABLE 12 ITALY ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
TABLE 13 RUSSIA ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
TABLE 14 TURKEY ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
TABLE 15 POLAND ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
TABLE 16 NETHERLANDS ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
TABLE 17 BELGIUM ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
TABLE 18 SWEDEN ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
TABLE 19 SWITZERLAND ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
TABLE 20 REST OF EUROPE ANIMATION MARKET, BY REVENUE STREAM, 2020-2029 (USD MILLION)
Lista de Figura
FIGURE 1 EUROPE ANIMATION MARKET: SEGMENTATION
FIGURE 2 EUROPE ANIMATION MARKET: DATA TRIANGULATION
FIGURE 3 EUROPE ANIMATION MARKET: DROC ANALYSIS
FIGURE 4 EUROPE ANIMATION MARKET: EUROPE VS REGIONAL MARKET ANALYSIS
FIGURE 5 EUROPE ANIMATION MARKET: COMPANY RESEARCH ANALYSIS
FIGURE 6 EUROPE ANIMATION MARKET: INTERVIEW DEMOGRAPHICS
FIGURE 7 EUROPE ANIMATION MARKET: DBMR MARKET POSITION GRID
FIGURE 8 EUROPE ANIMATION MARKET: VENDOR SHARE ANALYSIS
FIGURE 9 EUROPE ANIMATION MARKET: SEGMENTATION
FIGURE 10 RISING TREND OF ANIMATED FILMS AND DAILY SOAPS IS EXPECTED TO DRIVE EUROPE ANIMATION MARKET IN THE FORECAST PERIOD OF 2022 TO 2029
FIGURE 11 OTT SEGMENT IS EXPECTED TO ACCOUNT FOR THE LARGEST SHARE OF EUROPE ANIMATION MARKET IN 2022 & 2029
FIGURE 12 VALUE CHAIN ANALYSIS FRAMEWORK
FIGURE 13 DRIVERS, RESTRAINTS, OPPORTUNITIES, AND CHALLENGE OF EUROPE ANIMATION MARKET
FIGURE 14 EUROPE TICKET SALES AND MARKET SHARE FOR DIGITAL ANIMATION, 2010 TO 2021
FIGURE 15 NUMBER OF SMARTPHONE USERS WORLDWIDE, FROM 2016 TO 2021
FIGURE 16 PIRATE SITES VISITS PER COUNTRY
FIGURE 17 PERCENTAGE OF VR/AR USAGE
FIGURE 18 EUROPE ANIMATION MARKET, BY REVENUE STREAM, 2021
FIGURE 19 EUROPE ANIMATION MARKET: SNAPSHOT (2021)
FIGURE 20 EUROPE ANIMATION MARKET: BY COUNTRY (2021)
FIGURE 21 EUROPE ANIMATION MARKET: BY COUNTRY (2022 & 2029)
FIGURE 22 EUROPE ANIMATION MARKET: BY COUNTRY (2021 & 2029)
FIGURE 23 EUROPE ANIMATION MARKET: BY REVENUE STREAM (2022-2029)
FIGURE 24 EUROPE ANIMATION MARKET: COMPANY SHARE 2021 (%)
Metodologia de Investigação
A recolha de dados e a análise do ano base são feitas através de módulos de recolha de dados com amostras grandes. A etapa inclui a obtenção de informações de mercado ou dados relacionados através de diversas fontes e estratégias. Inclui examinar e planear antecipadamente todos os dados adquiridos no passado. Da mesma forma, envolve o exame de inconsistências de informação observadas em diferentes fontes de informação. Os dados de mercado são analisados e estimados utilizando modelos estatísticos e coerentes de mercado. Além disso, a análise da quota de mercado e a análise das principais tendências são os principais fatores de sucesso no relatório de mercado. Para saber mais, solicite uma chamada de analista ou abra a sua consulta.
A principal metodologia de investigação utilizada pela equipa de investigação do DBMR é a triangulação de dados que envolve a mineração de dados, a análise do impacto das variáveis de dados no mercado e a validação primária (especialista do setor). Os modelos de dados incluem grelha de posicionamento de fornecedores, análise da linha de tempo do mercado, visão geral e guia de mercado, grelha de posicionamento da empresa, análise de patentes, análise de preços, análise da quota de mercado da empresa, normas de medição, análise global versus regional e de participação dos fornecedores. Para saber mais sobre a metodologia de investigação, faça uma consulta para falar com os nossos especialistas do setor.
Personalização disponível
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