Table of Content
1. INTRODUCTION
1.1 OBJECTIVES OF THE STUDY
1.2 MARKET DEFINITION
1.3 OVERVIEW OF GLOBAL AUDIO STREAMING OTT PLATFORM MARKET
1.4 CURRENCY AND PRICING
1.5 LIMITATIONS
1.6 MARKETS COVERED
2. MARKET SEGMENTATION
2.1 KEY TAKEAWAYS
2.2 ARRIVING AT THE GLOBAL AUDIO STREAMING OTT PLATFORM MARKET
2.2.1 VENDOR POSITIONING GRID
2.2.2 TECHNOLOGY LIFE LINE CURVE
2.2.3 MARKET GUIDE
2.2.4 COMPANY POSITIONING GRID
2.2.5 MULTIVARIATE MODELLING
2.2.6 STANDARDS OF MEASUREMENT
2.2.7 TOP TO BOTTOM ANALYSIS
2.2.8 VENDOR SHARE ANALYSIS
2.2.9 DATA POINTS FROM KEY PRIMARY INTERVIEWS
2.2.10 DATA POINTS FROM KEY SECONDARY DATABASES
2.3 GLOBAL AUDIO STREAMING OTT PLATFORM MARKET: RESEARCH SNAPSHOT
2.4 ASSUMPTIONS
3. MARKET OVERVIEW
3.1 DRIVERS
3.2 RESTRAINTS
3.3 OPPORTUNITIES
3.4 CHALLENGES
4. EXECUTIVE SUMMARY
5. PREMIUM INSIGHTS
5.1 PORTER’S FIVE FORCES MODEL
5.2 REGULATORY STANDARDS
5.3 TECHNOLOGICAL TRENDS
5.4 VALUE CHAIN ANALYSIS
5.5 PATENT ANALYSIS
5.6 COMPANY COMPARATIVE ANALYSIS
5.7 CONSUMER BEHAVIOUR ANALYSIS
6. GLOBAL AUDIO STREAMING OTT PLATFORM MARKET, BY MONEYTIZATION MODEL
6.1 OVERVIEW
6.2 SUBSCRIPTION BASED
6.3 PAY PER VIEW (PPV) MODEL
6.4 AD-SUPPORTED MODEL
7. GLOBAL AUDIO STREAMING OTT PLATFORM MARKET, BY FORMAT
7.1 OVERVIEW
7.2 MP3
7.3 WAV
7.4 ACC
7.5 OTHERS
8. GLOBAL AUDIO STREAMING OTT PLATFORM MARKET, BY OFFERING
8.1 OVERVIEW
8.2 LIVE RADIO STREAMING
8.3 MUSIC BROADCASTING
8.4 ON-DEMAND PODCASTING
8.5 OTHERS
9. GLOBAL AUDIO STREAMING OTT PLATFORM MARKET, BY CONNECTIVITY
9.1 OVERVIEW
9.2 WEB
9.3 MOBILE
9.3.1 IOS
9.3.2 ANDROID
10. GLOBAL AUDIO STREAMING OTT PLATFORM MARKET, BY DEPLOYMENT MODEL
10.1 OVERVIEW
10.2 CLOUD
10.3 ON PREMISE
11. GLOBAL AUDIO STREAMING OTT PLATFORM MARKET, BY ORGANIZATION SIZE
11.1 OVERVIEW
11.2 SMALL AND MEDIUM SIZE ENTERPRISE
11.2.1 BY DEPLOYMENT MODEL
11.2.1.1. CLOUD
11.2.1.2. ON PREMISE
11.3 LARGE ENTERPRISE
11.3.1 BY DEPLOYMENT MODEL
11.3.1.1. CLOUD
11.3.1.2. ON PREMISE
12. GLOBAL AUDIO STREAMING OTT PLATFORM MARKET, BY USER TYPE
12.1 OVERVIEW
12.2 PERSONAL
12.2.1 BY MONEYTIZATION MODEL
12.2.1.1. SUBSCRIPTION BASED
12.2.1.2. PAY PER VIEW (PPV) MODEL
12.2.1.3. AD-SUPPORTED MODEL
12.3 COMMERCIAL
12.3.1 BY MONEYTIZATION MODEL
12.3.1.1. SUBSCRIPTION BASED
12.3.1.2. PAY PER VIEW (PPV) MODEL
12.3.1.3. AD-SUPPORTED MODEL
13. GLOBAL AUDIO STREAMING OTT PLATFORM MARKET, BY END USER
13.1 OVERVIEW
13.2 MEDIA AND ENTERTAINMENT
13.2.1 BY MONEYTIZATION MODEL
13.2.1.1. SUBSCRIPTION BASED
13.2.1.2. PAY PER VIEW (PPV) MODEL
13.2.1.3. AD-SUPPORTED MODEL
13.3 SERVICE UTILITIES
13.3.1 BY MONEYTIZATION MODEL
13.3.1.1. SUBSCRIPTION BASED
13.3.1.2. PAY PER VIEW (PPV) MODEL
13.3.1.3. AD-SUPPORTED MODEL
13.4 GAMING
13.4.1 BY MONEYTIZATION MODEL
13.4.1.1. SUBSCRIPTION BASED
13.4.1.2. PAY PER VIEW (PPV) MODEL
13.4.1.3. AD-SUPPORTED MODEL
13.5 EDUCATION AND LEARNING
13.5.1 BY MONEYTIZATION MODEL
13.5.1.1. SUBSCRIPTION BASED
13.5.1.2. PAY PER VIEW (PPV) MODEL
13.5.1.3. AD-SUPPORTED MODEL
13.6 RELIGION
13.6.1 BY MONEYTIZATION MODEL
13.6.1.1. SUBSCRIPTION BASED
13.6.1.2. PAY PER VIEW (PPV) MODEL
13.6.1.3. AD-SUPPORTED MODEL
13.7 HEALTH AND FITNESS
13.7.1 BY MONEYTIZATION MODEL
13.7.1.1. SUBSCRIPTION BASED
13.7.1.2. PAY PER VIEW (PPV) MODEL
13.7.1.3. AD-SUPPORTED MODEL
13.8 OTHERS
14. GLOBAL AUDIO STREAMING OTT PLATFORM MARKET, BY COUNTRY
14.1 GLOBAL AUDIO STREAMING OTT PLATFORM MARKET, (ALL SEGMENTATION PROVIDED ABOVE IS REPRESENTED IN THIS CHAPTER BY COUNTRY)
14.2 NORTH AMERICA
14.2.1 U.S.
14.2.2 CANADA
14.2.3 MEXICO
14.3 EUROPE
14.3.1 GERMANY
14.3.2 FRANCE
14.3.3 U.K.
14.3.4 ITALY
14.3.5 SPAIN
14.3.6 RUSSIA
14.3.7 TURKEY
14.3.8 BELGIUM
14.3.9 NETHERLANDS
14.3.10 SWITZERLAND
14.3.11 SWEDEN
14.3.12 DENMARK
14.3.13 NORWAY
14.3.14 REST OF EUROPE
14.4 ASIA PACIFIC
14.4.1 JAPAN
14.4.2 CHINA
14.4.3 SOUTH KOREA
14.4.4 INDIA
14.4.5 AUSTRALIA AND NEW ZEALAND
14.4.6 SINGAPORE
14.4.7 THAILAND
14.4.8 MALAYSIA
14.4.9 INDONESIA
14.4.10 PHILIPPINES
14.4.11 TAIWAN
14.4.12 VIETNAM
14.4.13 REST OF ASIA PACIFIC
14.5 SOUTH AMERICA
14.5.1 BRAZIL
14.5.2 ARGENTINA
14.5.3 REST OF SOUTH AMERICA
14.6 MIDDLE EAST AND AFRICA
14.6.1 SOUTH AFRICA
14.6.2 EGYPT
14.6.3 SAUDI ARABIA
14.6.4 U.A.E
14.6.5 ISRAEL
14.6.6 KUWAIT
14.6.7 QATAR
14.6.8 REST OF MIDDLE EAST AND AFRICA
15. GLOBAL AUDIO STREAMING OTT PLATFORM MARKET, COMPANY LANDSCAPE
15.1 COMPANY SHARE ANALYSIS: GLOBAL
15.2 COMPANY SHARE ANALYSIS: NORTH AMERICA
15.3 COMPANY SHARE ANALYSIS: EUROPE
15.4 COMPANY SHARE ANALYSIS: ASIA-PACIFIC
15.5 MERGERS & ACQUISITIONS
15.6 NEW PRODUCT DEVELOPMENT & APPROVALS
15.7 EXPANSIONS
15.8 REGULATORY CHANGES
15.9 PARTNERSHIP AND OTHER STRATEGIC DEVELOPMENTS
16. GLOBAL AUDIO STREAMING OTT PLATFORM MARKET, SWOT AND DBMR ANALYSIS
17. GLOBAL AUDIO STREAMING OTT PLATFORM MARKET, COMPANY PROFILE
17.1 MUVI COMPANY SNAPSHOT
17.1.1 REVENUE ANALYSIS
17.1.2 PRODUCT PORTFOLIO
17.1.3 RECENT DEVELOPMENTS
17.2 APPLE MUSIC
17.2.1 COMPANY SNAPSHOT
17.2.2 REVENUE ANALYSIS
17.2.3 PRODUCT PORTFOLIO
17.2.4 RECENT DEVELOPMENTS
17.3 AMAZON MUSIC
17.3.1 COMPANY SNAPSHOT
17.3.2 REVENUE ANALYSIS
17.3.3 PRODUCT PORTFOLIO
17.3.4 RECENT DEVELOPMENTS
17.4 MX MEDIA & ENTERTAINMENT
17.4.1 COMPANY SNAPSHOT
17.4.2 REVENUE ANALYSIS
17.4.3 PRODUCT PORTFOLIO
17.4.4 RECENT DEVELOPMENTS
17.5 VENISO (VPLAY)
17.5.1 COMPANY SNAPSHOT
17.5.2 REVENUE ANALYSIS
17.5.3 PRODUCT PORTFOLIO
17.5.4 RECENT DEVELOPMENTS
17.6 ONTHEFLY (CONTUS TECH)
17.6.1 COMPANY SNAPSHOT
17.6.2 REVENUE ANALYSIS
17.6.3 PRODUCT PORTFOLIO
17.6.4 RECENT DEVELOPMENTS
17.7 DACAST
17.7.1 COMPANY SNAPSHOT
17.7.2 REVENUE ANALYSIS
17.7.3 PRODUCT PORTFOLIO
17.7.4 RECENT DEVELOPMENTS
17.8 TRITON DIGITAL
17.8.1 COMPANY SNAPSHOT
17.8.2 REVENUE ANALYSIS
17.8.3 PRODUCT PORTFOLIO
17.8.4 RECENT DEVELOPMENTS
17.9 STREAM SOLUTION (XDEVEL)
17.9.1 COMPANY SNAPSHOT
17.9.2 REVENUE ANALYSIS
17.9.3 PRODUCT PORTFOLIO
17.9.4 RECENT DEVELOPMENTS
17.10 WOWZA MEDIA SYSTEMS, LLC.
17.10.1 COMPANY SNAPSHOT
17.10.2 REVENUE ANALYSIS
17.10.3 PRODUCT PORTFOLIO
17.10.4 RECENT DEVELOPMENTS
17.11 WEBNEXS LLC
17.11.1 COMPANY SNAPSHOT
17.11.2 REVENUE ANALYSIS
17.11.3 PRODUCT PORTFOLIO
17.11.4 RECENT DEVELOPMENTS
17.12 COMVIVA
17.12.1 COMPANY SNAPSHOT
17.12.2 REVENUE ANALYSIS
17.12.3 PRODUCT PORTFOLIO
17.12.4 RECENT DEVELOPMENTS
17.13 MOBIOTICS
17.13.1 COMPANY SNAPSHOT
17.13.2 REVENUE ANALYSIS
17.13.3 PRODUCT PORTFOLIO
17.13.4 RECENT DEVELOPMENTS
17.14 ENVEU
17.14.1 COMPANY SNAPSHOT
17.14.2 REVENUE ANALYSIS
17.14.3 PRODUCT PORTFOLIO
17.14.4 RECENT DEVELOPMENTS
17.15 PANDORA MEDIA, INC.
17.15.1 COMPANY SNAPSHOT
17.15.2 REVENUE ANALYSIS
17.15.3 PRODUCT PORTFOLIO
17.15.4 RECENT DEVELOPMENTS
17.16 TIDAL MUSIC AS
17.16.1 COMPANY SNAPSHOT
17.16.2 REVENUE ANALYSIS
17.16.3 PRODUCT PORTFOLIO
17.16.4 RECENT DEVELOPMENTS
17.17 SIRIUSXM MEDIA
17.17.1 COMPANY SNAPSHOT
17.17.2 REVENUE ANALYSIS
17.17.3 PRODUCT PORTFOLIO
17.17.4 RECENT DEVELOPMENTS
17.18 SOUNDCLOUD
17.18.1 COMPANY SNAPSHOT
17.18.2 REVENUE ANALYSIS
17.18.3 PRODUCT PORTFOLIO
17.18.4 RECENT DEVELOPMENTS
17.19 DEEZER
17.19.1 COMPANY SNAPSHOT
17.19.2 REVENUE ANALYSIS
17.19.3 PRODUCT PORTFOLIO
17.19.4 RECENT DEVELOPMENTS
17.20 QOBUZ
17.20.1 COMPANY SNAPSHOT
17.20.2 REVENUE ANALYSIS
17.20.3 PRODUCT PORTFOLIO
17.20.4 RECENT DEVELOPMENTS
17.21 IHEART DIGITAL SOLUTIONS
17.21.1 COMPANY SNAPSHOT
17.21.2 REVENUE ANALYSIS
17.21.3 PRODUCT PORTFOLIO
17.21.4 RECENT DEVELOPMENTS
17.22 JOOX (TENCENT)
17.22.1 COMPANY SNAPSHOT
17.22.2 REVENUE ANALYSIS
17.22.3 PRODUCT PORTFOLIO
17.22.4 RECENT DEVELOPMENTS
17.23 ANGHAMI
17.23.1 COMPANY SNAPSHOT
17.23.2 REVENUE ANALYSIS
17.23.3 PRODUCT PORTFOLIO
17.23.4 RECENT DEVELOPMENTS
17.24 GAANA
17.24.1 COMPANY SNAPSHOT
17.24.2 REVENUE ANALYSIS
17.24.3 PRODUCT PORTFOLIO
17.24.4 RECENT DEVELOPMENTS
17.25 YOUTUBE MUSIC
17.25.1 COMPANY SNAPSHOT
17.25.2 REVENUE ANALYSIS
17.25.3 PRODUCT PORTFOLIO
17.25.4 RECENT DEVELOPMENTS
17.26 SPOTIFY
17.26.1 COMPANY SNAPSHOT
17.26.2 REVENUE ANALYSIS
17.26.3 PRODUCT PORTFOLIO
17.26.4 RECENT DEVELOPMENTS
NOTE: THE COMPANIES PROFILED IS NOT EXHAUSTIVE LIST AND IS AS PER OUR PREVIOUS CLIENT REQUIREMENT. WE PROFILE MORE THAN 100 COMPANIES IN OUR STUDIES AND HENCE THE LIST OF COMPANIES CAN BE MODIFIED OR REPLACED ON REQUEST.
18. CONCLUSION
19. QUESTIONNAIRE
20. RELATED REPORTS
21. ABOUT DATA BRIDGE MARKET RESEARCH
